Arts in New York City Faculty Lyricist for Shows Produced by the Lowbrow Opera Collective, Winner of NAMT’s 15-Minute Musical Challenge, and Recipient of Spark Grant
Perpetual Sunshine and the Ghost Girls, a musical featuring the work of Adjunct Instructor Prof. Sara Cooper, an accomplished playwright and lyricist who teaches the Arts in New York City course in Guttman’s Liberal Arts and Sciences Program, was one of five selected for the National Alliance for Musical Theatre’s 15-minute Musical Challenge. Produced in part by the Beck Center and the Baldwin Wallace University Program, the first fifteen minutes of the performance premiered virtually on February 12, 2021, and ran through February 28. Prof. Cooper wrote the lyrics to music by Lynne Shankel. According to Broadway World News Desk, “the show is based on the true story of the women who fought United States Radium Corporation in the 1920s for knowingly poisoning them and subsequently changed United States labor laws forever.”
The International Print Center New York (IPCNY) New Prints 2020/Summer show, titled Give Me Space, includes two prints by Adjunct Lecturer Kathryn Larkins. This cycle of the biannual open-call exhibition focuses on spaces for political dissent and the body. It features new works by 41 artists working in the medium of print, selected by Brooklyn-based visual and multimedia artist Chitra Ganesh. The show can be viewed remotely from June 25 to September 19, 2020.
Dr. Angelina Tallaj, Assistant Professor of Arts and Humanities and FYE Course Coordinator for Arts in New York City, dances in the classroom. A required first year course, Arts in NYC exposes students to the creative movements, artistic genres, and cultural institutions of the city. Anchored in Guttman’s unique , this course includes and emphasizes the students’ own experiences. Their eyes light up, says Dr. Tallaj, “when I dance bachata and then teach how the steps reflect gender history. I love having my students dance because I want them to know that their bodies have histories and that those histories are legitimate.”